WELCOME TO MY GRAFIC WORLD!  💭️


THESE EXPERIMENTAL TYPOGRAPHIC POSTERS ARE CREATED FROM MY PASSION ON GRAPHIC DESIGN.




Double-sided Print
Translation from English to Japanese then back to English  


Sound

Sulki & Min Poster #1
T͎u͎e͎s͎d͎a͎y͎ ͎N͎i͎g͎h͎t͎ ͎L͎e͎c͎t͎u͎r͎e͎ ͎S͎e͎r͎i͎e͎s͎ ͎
Boston University




Sulki & Min Poster #2
T͎u͎e͎s͎d͎a͎y͎ ͎N͎i͎g͎h͎t͎ ͎L͎e͎c͎t͎u͎r͎e͎ ͎S͎e͎r͎i͎e͎s͎ ͎
Boston University




Letter ͓̽'͓̽t͓̽'͓̽ ͓̽&͓̽ ͓̽'͓̽P͓̽ are substituted by ₵Ʉ₴₮Ø₥łⱫɆĐ ⱠɆ₮₮ɆⱤ₣ØⱤ₥₴




Letter '͓̽a͓̽'͓̽,͓̽ ͓̽'͓̽p͓̽'͓̽,͓̽ ͓̽'͓̽i͓̽'͓̽ ͓̽,͓̽ ͓̽'͓̽s͓̽ were substituted by hand drawn letterforms





Sulki & Min Poster #3
T͎u͎e͎s͎d͎a͎y͎ ͎N͎i͎g͎h͎t͎ ͎L͎e͎c͎t͎u͎r͎e͎ ͎S͎e͎r͎i͎e͎s͎ ͎
Boston University




Sulki & Min Poster #4
T͎u͎e͎s͎d͎a͎y͎ ͎N͎i͎g͎h͎t͎ ͎L͎e͎c͎t͎u͎r͎e͎ ͎S͎e͎r͎i͎e͎s͎ ͎
Boston University




“Transitional Typefaces” 
Editorial Publication Design
The book used one serif typeface only. The hierachy and editorial details were emphasized by the font family. 




A parallel book of 《愛不釋手》📖




RISO PRINT #1
By recognizing the influence of the global pandemic, I’ve noticed that Chinese students battle rising tide of prejudice in other countries BUT fear they are not welcomed home.




RISO PRINT #2
StopAsianHate




Black Letter Posters 10 iterations
Term: Applied style vs. Intrinsic Style




This poster is consisted of mixed 50% elements from both Jaeho Shin and Pierre Vanni’s posters. The goal was to create a complete transformation.




A glyph of my multi-dimensional identity as a graphic designer. 10 pictorial symbols of my design interests.




A visualizations of my design process from no-idea to the final production. The goal was to keep the diagram clear, well structured, and visually interesting.




I practiced my knowledge in poster design to help promoting mask wearing. It was spread widely through my friends, and I am proud to contribute a bit to stop the spread through my expertise.




A Year of 2020






































CHEN LUO 👀️

Light the Lantern




Light the Lantern is created to reflect on a Chinese film “Raise the Red Lantern” with my developed visual narrative.

The installation retells the story from the film that woman who were oppressed and objectified in the feudal society. It vividly shows the life situation of women in the patriarchal society, which criticized the feudal order and patriarchal power. The space represents a Chinese architecture Siheyuan (a quadrangle courtyard with 4 walls). Audience move closer poking a hole to watch the video echos that when people wanted to stalk anyone in the ancient China, they needed to poke a hole with their fingers. The inside and outside build up two spaces that watching Warlord era from 21 C perspective.


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